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“Do you like it, Sunday School, I mean? I don’t. I like church, though,—the great booming organ, the beautiful singing. And when the minister speaks I just float away into fairy-land and never come back till he says, ‘The-Lord-make-his-face-to-shine-upon-us-amen.’”,

May Nell looked at him with wide eyes. She saw that he was not a vineyard workman, his clothes were too fine. She did not see them in detail, the large checked trousers, the shiny gloves, and the big diamond, but she felt instinctively that one who could dress so was different from the men she knew. And the look in his face made her cold.,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,

“He didn’t come roun’ here, I kin tell you though,” joined in Mrs. Wopp, energetically. In speaking of Mr. Zelamba, her voice modulated harshly into a key of hyper-acidulated sharps. “I says to Miss Gordon, an’ she jined in with me, a piannerist may be well ’nough as an actor man, but when it comes to takin’ fer keeps, give me a real man.” After taking a deep breath she continued, “My, but he makes a heap of money an’ he loves it, too; but when he gits to be about forty, the lines in his fiz’ll be as tight as my clothes-rope arter a spell of rain.”

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“What else did they do ’sides dancing, Betty?” questioned St. Elmo.,

“No; I’ll do it first thing to-morrow.” He tried vainly to change the subject. “I—”,

The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous.,

At this moment the dining-room door opened and the daughter of the house entered the room.